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Sandra Lischi (Pisa, 1951) graduated in Art History in 1973 (with a thesis
on video) from the University of Pisa, where she is
a professor specialising in the audiovisual field on
the graduate course "Cinema, Music, Theatre" (Faculty
of Literature). She created the "Ondavideo-Sounds and
Images of the future" festival in 1985, which is still
running in Pisa, and co-directs "Invideo-International
Exhibition of Video Art and Cinema Beyond" in Milan.
She also contributes to the "Il Manifesto" newspaper.
Since the 1970s, she has published various books, essays,
articles and catalogues on electronic art, curated shows
and collanorated with national and international institutions.
Beyond video art, she is also involved in experimental
cinema, non-narrative productions and independent video.
Her publications include (ETS, Pisa) Metamorfosi della
visione (con Rosanna Albertini), 1988, seconda edizione
2000; Il respiro del tempo. Cinema e video di Robert
Cahen, 1991, seconda edizione 1998; Cine ma video, 1996;
A occhio nudo-la scuola video di documentazione sociale
I Cammelli (con Pucci Piazza), Lindau, Torino 1997.
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In recent
years, she has combined her teaching and research with
video prodution and directing. She has collaborated video
artist Gianni Toti at the CICV-Pierre Schaeffer Research
Centre in Montbéliard-Belfort, directing the video portrait
PlaneToti-Notes in 1997. She has also dedicated herself,
in Pisa, to an educational-theoretical-production project
in collaboration with the university, local bodies "Ondavideo",
which has resulted in various video works, publications
and didactic experiences. Her book Visioni elettroniche.
L'oltre del cinema e l'arte del video, ed. di Bianco
& Nero, Rome 2001, offers a theoretical panorama, tackling
various key themes, of international video art. In 2005,
she published Il linguaggio del video, Carocci,
Roma. |